After Dinner Speakers: Blondie, Jimmy Smits, Alistair Whitehead

Having freed themselves from the restrictions of Private Stock and signed to Chrysalis Records, Plastic Letters contained two UK Top 10 hits in "Denis" and "(I'm Always Touched By Your) Presence Dear", while Parallel Lines, produced by pop svengali Mike Chapman, included the UK chart-topping "Heart Of Glass" and "Sunday Girl" (both 1979; the former also reached US number 1, but the latter failed to chart). Although creatively uneven, Eat To The Beat confirmed Blondie's dalliance with disco following "Heart Of Glass" and the set spawned two highly successful UK singles in "Dreaming" and the chart-topping "Atomic". "Call Me", produced by Giorgio Moroder, was taken from the soundtrack of the movie American Gigolo and reached number 1 in both the UK and US. Autoamerican provided two further US chart-toppers in "The Tide Is High" and "Rapture", while the former song, originally recorded by reggae group the Paragons, reached the same position in Britain. Despite this commercial ascendancy, Blondie was beset by internal difficulties, as the media increasingly focused on their photogenic lead singer. The distinction between the group's name and Harry's persona became increasingly blurred, although a sense of distance between the two was created with the release of her solo album, Koo Koo. The Hunter, a generally disappointing set that Harry completed under duress, became Blondie's final recording, their tenure ending when Stein's ill health brought an attendant tour to a premature end. The guitarist was suffering from the genetic disease pemphigus vulgaris and between 1983 and 1985, both he and Debbie Harry absented themselves from full-time performing. The latter then resumed her solo career, while former colleague Burke briefly joined the Eurythmics for their Revenge album, before teaming up with Harrison, Steve Jones (ex-Sex Pistols), Tony Fox Sales and Michael Des Barres in Chequered Past, who released an eponymous album in 1985. During the 90s, Harry recorded and toured with the Jazz Passengers. In June 1997, Harry, Stein, Burke and Destri re-formed the group to record new material and tour. A high media profile helped push "Maria", a classic slice of late-70s power pop, to the top of the UK charts in February 1999. No Exit, although it was also a commercial success, was more disappointing